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C'est l'histoire d'un jeune homme qui se rend a Hollywood dans les annees 1930 dans l'espoir de travailler dans l'industrie du cinema, tombe amoureux et se retrouve plonge dans l'effervescence de la Cafe Society qui a marque cette epoque.
About Cafe Society
Artist : Kristen Stewart, Jesse Eisenberg, Steve CarellAs : Vonnie, Bobby, Phil
Title : ⌛ Fast Download Cafe Society HD 4k
Release date : 0000-00-00
Movie Code : 236050
Duration : 100
Category : Drame, Romance
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Screen Of Cafe Society
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Comment For Kijken Naar Cafe Society Aanhangwagen Review
It's the filmmaking around the writing that casts a particular spell. Particularly near the end, as Allen adds up the moral failings and squelched desires and doused dreams of all his characters.
Mr. Allen's literal voice, which supplies narration, sounds unusually sluggish and weary. The same is true of his voice as a writer and director. For every snappy scene or exchange there are three or four that feel baggy and half-written.
The film is so retro golden that old-timey miners would run the reels through a sieve.
Maybe Woody Allen waited too long to make "Cafe Society"; it seems, weirdly, to be an uninspired remake of itself.
The whole film feels charmingly insubstantial, just as it's meant to, with beautiful settings, amusing people and, for philosophical context, a classic Woody Allen one-liner.
Lovely visuals, terrific performances, renewed ambition: There's enough good in Cafe Society to make it worth your while - and also to make you wish it were better.
Stewart is irresistible here. Allen is a legendary director of women, and Stewart's performance is shockingly good, awards-caliber work.
Romantic, bittersweet and funny as hell, Cafe Society turns Hollywood inside out, rooting through the superficial tinsel to find the real tinsel. You go away gobsmacked, beaming and happy to be both.
Aided by an anxious Jesse Eisenberg and the gently expressive Kristen Stewart, "Cafe Society" works about as a well as a decent-but-not-great Allen movie can.
Woody Allen's new period piece is no match for "Midnight in Paris," but the fine cast and bittersweet themes carry the day.
"Cafe Society" meanders a bit . But because it's from a veteran comedian and filmmaker, it also has some smart jokes, and beautiful images.
Woody Allen has made 46 films, of which I've seen 46, and I'm not sure which of us is more tired of them.
With each succeeding year, Allen's insular version of the past feels more eccentric. Depending on the viewer, it's either happily reassuring or strangely out of touch.
It'll probably never make it into anyone's list of the 10 most-important Allen films. But I'd watch it again over a few movies that would.
A love story drenched in nostalgia, "Cafe Society" is a film of rare beauty.
As in many of Allen's period comedies, the dialogue sounds completely modern and evokes the era only in its endless name-dropping.
Allen is confident that he can skip scenes, shift locations and more or less take his audience anywhere he wants, so long as he's entertaining, and in this he's right.
It isn't a particularly great Woody Allen movie. Nor is it a particularly disappointing one. It falls into the vast middle ground on his resume - the movies you enjoy sitting through, but quickly forget once the lights come up.
Cafe Society, is intermittently lovely and melancholic.
In the best sense, "Cafe Society" presents itself as an older director's film, dealing as it does with the difference between dreams and reality and the presence and persistence of regret.
The film doesn't totally upend Allen's notion that L.A. is a seductively shallow place that has to resort to celebrating the ability to make a right turn on red to feel better about itself. In Cafe Society, it just looks so gorgeous while doing it.
Neither especially funny nor particularly dramatic, but appealing enough in its handsome melancholia to create the phantom impression of Allen firing on all cylinders.
For all its beauty and its star power, the movie never elevates to anything beyond a kind of storyboard sketch.
"I'm kind of half-bored, half-fascinated," Eisenberg tells his bro over the long-distance line, and the sentiment could also apply to the movie - although Storaro's sumptuous cinematography makes even its mundane moments enchanting.
A pretty, rambling, minor distraction.
There is a gravity to it, and a tug of sadness, that cannot be accounted for by the story.
It's handsome, and pleasant, and polished, and sedate. You won't laugh or cry. You may, however, smile or sigh.
"Cafe Society" is a good-looking nothing, but there are times - thanks more to Allen's direction than his writing, and thanks mostly to the people acting out the masquerade - when "nothing" is sufficient.
Cafe Society is mainly a small and unnervingly familiar private drama that is never funny enough nor smart enough to justify its anachronistic style.
It's a film that covers several years and relationships but comes across like a rambling anecdote being told by someone who keeps skipping over the interesting parts.
A small fiction of amiable appeal and vibrancy which goes down as easily as a fizzy cocktail.
The movie, watchable as it is, never quite overcomes the sense that it's a lavish diagram working hard to come off as a real movie.
It's a beautiful thing to behold.
If it doesn't reach the heights of Woody's best - 2013's "Blue Jasmine" was his last great film - it still has several rich touches, including a luminous performance by Kristen Stewart.
Replacement Level Allen. There are pleasures to be found. But you have to look a little harder than usual.
Buoyed by the nuanced performances of Stewart and Eisenberg, the 80-year-old Woody Allen creates a ravishing romance shot through with humor and heartbreak.
It's about '30s glamour and swank. More accurately, it's about nostalgia for those things. Either way, it's not about characters or chemistry or anything much resembling emotion.
Watching this film feels like listening to a formerly great pianist whose fingers are now gnarled with arthritis. The notes are right, and played in the correct order, but the tempo is way, way off.
Allen narrates in a voice that, for the first time, suggests his 80 years of age. But his touch lightens with each film, and the melancholy bubbles up from below and catches you off guard.
Woody Allen's easy-to-like but lightweight "Cafe Society" serves up just you'd expect from the seasoned writer and director.
"Life is a comedy written by a sadistic comedy writer," Bobby quips. Cafe Society, on the other hand, is a comedy written by a benumbed one.
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